3.2 The Island, St Ives Cornwall

Wheal Dreams is planned as a video documentary work of ‘Life on the Edge’ for the fishing community in St Ives. Shot over a day in September 2021 on my iPhone 12, it charts the activities of fishermen and tourists along Wheal Dreams where many of the fishermen used to live, but now mainly holiday lets then along Smeaton Pier where the fishing catch is landed from the boats and loaded onto vehicles for transport to the fish market.

Underpinning the video documentary are written sources on the St Ives fishing industry from St Ives Public Library, including many historical accounts from fishing families as well as contemporary on-line documentaries and conversations with fishermen themselves. A particular interest are the political nationalist edges interlinked with Cornish identity edges that were constructed around Brexit, before, after and during. There have always been historic divisions between families because of religion. And fishermen living in ‘Downalong’ see themselves as a very different species from the mining community in ‘Upalong’ in St Ives. I am also very interested in changing roles of women from fishing families with tourism. And the perceptions of different sections of the fishing community on how tourists can be less annoying while still contributing to the local economy. etc etc. Then how things are now after Brexit compared to what they thought would happen. In the light of the environmental documentary ‘Seaspiracy’ I am also myself very ambivalent about the fishing industry and eating fish and other seafood – though sympathetic also to other peoples’ needs to a livelihood.

Wheal Dreams is a continuation of preliminary background research for Visual Communications Advanced Practice Assignment 3 Teetotal Street. I got to know a number of fishermen working on the Quay just past the old settlement and Wheal Dreams that now houses the St Ives Museum. I took quite a lot of photographs that I promised to send them, intending to do a Photobook with them as part of VCAP. However returning to St Ives had to be postponed until October 2021 because of COVID. A documentary photobook is a longer-term project because I would want to really get to know different people without imposing, really understand community and political dynamics over time and work out how to integrate my own views on eating fish. For 2021 to 2022, a more realistic approach coping with COVID as next steps are:

  • to use Wheal Dreams for Illustration Sketchbooks Assignment 4 with my own sketches and narrative around the documentary ‘Seaspiracy’ and other videos on the Cornish fishing industry
  • to use Wheal Dreams for Moving Image Assignment 3: Animation in Situ

Both to be completed end of October 2021. Depending on how the iPhone video works, the documentary may be supplemented by further photographs and/or video in 2022.

Draft Photobook on St Ives fishing community

I got to know a number of fishermen working on the Quay just past the old settlement and Wheal Dreams that now houses the St Ives Museum. I took quite a lot of photographs that I promised to send them, and always intended to do a Photobook with them as part of this Assignment. However this got delayed until October 2021 because of COVID.

What interests me are the very conflicting views and interests around Brexit and the fishermen. Each boat is in a sense its own Island, but the interdependence of the fishermen with each other contrasts with competition for markets. There have always been historic divisions between families because of religion. And fishermen living in ‘Downalong’ see themselves as a very different species from the mining community in ‘Upalong’ in St Ives. I am also very interested in changing roles of women with tourism. And the perceptions of different sections of the fishing community on how tourists can be less annoying while still contributing to the local economy. etc etc….

This book so far is much to messy in both concept and layout. Now my plans to revisit are definite and booked, I will mail my main contact and send him the link to the photographs to see which ones he and his friends and family like. On that basis I will then do a reselection and re-editing of the photographs with text. Adding also information from the historical books on St Ives fishing communities I scanned from the St Ives library, and also notes from discussions with my neighbour in Teetotal Street about her experiences growing up as a girl in a well-known local fishing family.

I will then redraft the book or a Photo Essay, mapping out how I can feasibly finalise it with further audience input shortly after. Possibly as part of my work for Sustaining Your Practice.

Fisherman portraits

aim to do some portraits of women and men in fishing families??? with interviews. To put as photo-galleries on-line and as photo album for them??

Now my plans to revisit are definite and booked, I will mail my main contact and send him the link to the photographs to see which ones he and his friends and family like. On that basis I will then do a reselection and re-editing of the photographs with text.

iPhone video documentary

forthcoming October 2021 onwards

A more considered documentary provoking questions about fishing in St Ives, starting with sketchbook notes and storyboard narrative for Illustration Sketchbooks 4 and filmed in September 2021 with my iPhone using my anthropological documentary skills to think how I might investigate and communicate issues like:

  • who is actually controlling the process
  • the way in which each boat is in a sense its own Island while at sea
  • but the interdependence of the fishermen with each other contrasts
  • the competition for markets and mad rush as the catch is landed.
  • future now with Brexit
  • issues raised by Seaspiracy

To be initially uploaded for feedback to Moving Image blog Assignment 3.

Depending on how the iPhone video works, the documentary may be supplemented by further photographs and/or video in 2022.