‘Tales from the Edge’ is a series of visual narrative ‘tales’ based on experience of ‘Edge locations’ produced for BA in Visual Communications final module ‘Sustaining Your Practice’ with Open College of the Arts, UK.
Underpinning all the projects is an interest in conceptual ‘edges’, the nature of experience and ‘reality’ and implications for activism to challenge and change social and economic inequalities and human environmental impacts.
The main focus of the portfolios presented here is on sequential book narratives in photographic media for physical and on-line viewing. But these portfolios are based on supporting work across the different media to produce a more informed and in-depth understanding of place in both subjective and objective terms. My work also explores how the specific aesthetics that can be achieved in different media affect perception, understanding and communication to inspire activism ‘to make the world a better place’.
Edges of Disruption: Everyday Gremlins is a body of photography, sketchbook and video-based books and images about everyday experience and real and imagined realities in my house and garden.
Edges of Suburbia: Anywhere Road is a series of documentary and creative photography books and digital images about the road where I live.
Edges Found: Aldeburgh Suffolk Coast is a series of photobooks based on found texture and texts in Aldeburgh, a tourist town on the Suffolk Coast. The narratives are also informed by documentary and creative photography around the town.
Edges Shifting : Shingle Street, Suffolk Coast is a body of creative photography, sketches, printmaking and creative writing about Shingle Street, a small row of (now luxury) cottages in a minimalist shingle landscape on the Suffolk Coast.
Edges of Disruption: Everyday Gremlins
‘Edges of Disruption: Everyday Gremlins’ is a series of linked projects charting everyday personal reflections and imaginings in my house and wildlife garden and attempts to create ‘new normals’ in my personal everyday life at home.
The ‘playfully serious’ projects experiment with different media – photography, sketchbooks, printmaking and moving image – to look at ‘everyday gremlins’ intrusions caused by insecurity in the face of environmental change, political uncertainties and misinformation into our/my subjective experience of space, place and time.
For more details see WordPress Blog portfolio page:
Edges of Disruption
Portfolio Links On SMUGMUG
Edges of suburbia: Anywhere Road
‘Edges of Suburbia: Anywhere Road’ is a series of documentary ‘tales’ exploring alternative approaches to photographic storytelling about the peri-urban housing estate near where I live. I am interested in the contrasting meanings – and also my own understandings – communicated by different photographic treatments in digital software.
The projects start to disentangle some of the underlying ontological and representational issues inherent in the process of ‘documentary’ itself – partly a sociological dialogue with the writings of George Perec and Marc Auge, visual documentary of Laura Grace Ford and video of Frances Alys. They highlight the pressures of ‘appearances’, social tensions, environmental challenges. They also contain splashes of colour and humour in individual creativity to brighten life in what is often quite a ‘monochrome’ alienated, distanced and probably unsustainable way of living.
For more details see WordPress Blog portfolio page:
Portfolio Links On SMUGMUG
Edges Found: Aldeburgh, Suffolk Coast
‘Facts are Not Truth’ Hilary Mantell.
Edges Found is a series of book and single image narratives based on iPad photographs of found textures around Aldeburgh in Suffolk. These in turn suggested links to found texts in the form of poetry, folk tales and historical records. Images and texts were then reworked together as new narratives with roots in Aldeburgh.
The body of work is also based on extensive previous documentary photography, sketchbook and video work presented elsewhere. New photographs from 2022 – 2023 are also included to provide some context to the ‘found imaginings’.
For more details see WordPress Blog portfolio page:
Portfolio Links On SMUGMUG
Edges Shifting: Shingle Street, Suffolk Coast
‘Edges Shifting’ started as a psychogeography project following my first visit in January 2020 on the eve of Brexit. But possibilities of continuing with a location documentary approach were seriously curtailed by the COVID pandemic that started soon after. My partner and I were both self-isolating, both for ourselves and vulnerable people in my partner’s family. The local population in Shingle Street is also quite elderly and vulnerable.
Edges Shifting present a subjective creative exploration of the details as well as ‘bigger picture’ issues that have shaped my own shifting feelings about staying as an outsider in a place quite close to home, but so very different.
For more details see WordPress Blog portfolio page:
Portfolio Links On SMUGMUG
Creative documentary, Visual Narrative and Inspiration
Other relevant pages in process of development and update that underlie the approaches taken in the ‘Tales from the Edge’ location narratives.