Tales from the Edge: Overview


‘Tales from the Edge’ is a series of visual narrative ‘tales’ based on experience of ‘Edge locations’ produced for BA in Visual Communications final module ‘Sustaining Your Practice’ with Open College of the Arts, UK.

Underpinning all the projects is an interest in conceptual ‘edges’, the nature of experience and ‘reality’ and implications for activism to challenge and change social and economic inequalities and human environmental impacts.

The main focus of the portfolios presented here is on sequential book narratives in photographic media for physical and on-line viewing. But these portfolios are based on supporting work across the different media to produce a more informed and in-depth understanding of place in both subjective and objective terms. My work also explores how the specific aesthetics that can be achieved in different media affect perception, understanding and communication to inspire activism ‘to make the world a better place’.

Edges of Disruption: Everyday Gremlins is a body of photography, sketchbook and video-based books and images about everyday experience and real and imagined realities in my house and garden.

Edges of Suburbia: Anywhere Road is a series of documentary and creative photography books and digital images about the road where I live.

Edges Found: Aldeburgh Suffolk Coast  is a series of photobooks based on found texture and texts in Aldeburgh, a tourist town on the Suffolk Coast. The narratives are also informed by documentary and creative photography around the town.

Edges Shifting : Shingle Street, Suffolk Coast is a body of creative photography, sketches, printmaking and creative writing about Shingle Street, a small row of (now luxury) cottages in a minimalist shingle landscape  on the Suffolk Coast. 

 

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Edges of Disruption: Everyday Gremlins

‘Edges of Disruption: Everyday Gremlins’ is a series of linked projects charting everyday personal reflections and imaginings in my house and wildlife garden and attempts to create ‘new normals’ in my personal everyday life at home.

The ‘playfully serious’ projects experiment with different media – photography, sketchbooks, printmaking and moving image – to look at ‘everyday gremlins’ intrusions caused by insecurity in the face of environmental change, political uncertainties and misinformation into our/my subjective experience of space, place and time.

For more details see WordPress Blog portfolio page:

Edges of Disruption
Portfolio Links On SMUGMUG

Spectres in Blue
Spectres in Blue: main portfolio: book of cyanotype-style photographs accompanied by experimental poetry and short texts around the theme of ‘beauty, truth and experienced reality’ from photographs, video and sketchbook notes of my garden.

Click to open SMUGMUG Photobook and Image Gallery on
https://www.zemniimages.com/Tales-from-the-Edge/Everyday-Gremlins/Spectres-in-Blue
Spectres in Topaz

Spectres in Topaz: supporting digital art experiments using Topaz Studio art filters to transform the ‘spectre’ photographs as suggested imaginative narratives for future development as short illustrative fiction pieces about environmental, social and political issues.

Click to open SMUGMUG Photobook and Image Gallery on:
https://www.zemniimages.com/Tales-from-the-Edge/Everyday-Gremlins/Spectres-in-Topaz

GREMLIN TALES

Gremlin Tales: supporting sketchbook experiments in the form of sketches, drawings, collage, solarplate and drypoint prints based on my sketchbook diary 2021-2022. The original sketchbook experiments in different media – pencil, ink, gesso, paint, collage – have been enhanced through scanning techniques and/or processing in DxO Silver FX and/or Topaz Studio.

Click to open SMUGMUG Image Gallery and draft texts on:
https://www.zemniimages.com/Tales-from-the-Edge/Everyday-Gremlins/Gremlin-Tales
Home Movies
Home Movies: supporting moving image experiments (unfinished because of RSI) Stop Motion animation and creative video exploring performative and emerging narratives about my life and garden.

Click to open SMUGMUG draft videos:
https://www.zemniimages.com/Tales-from-the-Edge/Everyday-Gremlins/Home-Movies

Edges of suburbia: Anywhere Road

‘Edges of Suburbia: Anywhere Road’ is a series of documentary ‘tales’ exploring alternative approaches to photographic storytelling about the peri-urban housing estate near where I live. I am interested in the contrasting meanings – and also my own understandings – communicated by different photographic treatments in digital software.

The projects start to disentangle some of the underlying ontological and representational issues inherent in the process of ‘documentary’ itself – partly a sociological dialogue with the writings of George Perec and Marc Auge, visual documentary of Laura Grace Ford and video of Frances Alys. They highlight the pressures of ‘appearances’, social tensions, environmental challenges. They also contain splashes of colour and humour in individual creativity to brighten life in what is often quite a ‘monochrome’ alienated, distanced and probably unsustainable way of living.

For more details see WordPress Blog portfolio page:

Portfolio Links On SMUGMUG

Happenings in Anywhere Road
Happenings in Anywhere Road is a black and white documentary photobook about events and ‘happenings’ – or obvious lack of them – and different individual responses evident from external appearances of houses along the street. The narrative is based on purposive sequencing and juxtaposition of photographs taken 2014 – 2022 drawing on the  experimentation in the other projects in this series.

Click to open SMUGMUG Photobook and Image Gallery on
https://www.zemniimages.com/Tales-from-the-Edge/Anywhere-Road/Happenings-in-Anywhere-Road/
Anywhere Road: Framed in Noir
Framed in Noir is a fine art photobook using DxO Silver FX film noir filters. This first book selects and frames different scenes, textures and shapes for their abstract qualities and ‘see what things look like photographed’. The sequencing and juxtaposition is based on aesthetic rather than narrative choices – ability to shock, intrigue or convey unexpected beauty in the everyday.

Click to open SMUGMUG Photobook and Image Gallery on
https://www.zemniimages.com/Tales-from-the-Edge/Anywhere-Road/Anywhere-Road-Framed-in-Noir-Photobook/
Xmas in Fragments
Xmas in Fragments uses colour photography in a more random way, combining sections of scenes to create an overall impression of my subjective feelings walking along the street during Lockdown in Christmas 2021.

Click to open SMUGMUG Photobook and Image Gallery on
https://www.zemniimages.com/Tales-from-the-Edge/Anywhere-Road/Xmas-in-Fragments/
Colours of Suburbia
Colours of Suburbia are experimental digital images in different printmaking styles that formed part of my creative exploration of ‘different ways of seeing’ everyday scenes in an ‘Anywhere Road’. Digital print styles using Lightroom or Photoshop include photoscreen, woodcut and sepia solarplate.

Click to open SMUGMUG Image Gallery on
https://www.zemniimages.com/Tales-from-the-Edge/Anywhere-Road/Colours-of-Suburbia

Edges Found: Aldeburgh, Suffolk Coast

‘Facts are Not Truth’ Hilary Mantell.

Edges Found is a series of book and single image narratives based on iPad photographs of found textures around Aldeburgh in Suffolk. These in turn suggested links to found texts in the form of poetry, folk tales and historical records. Images and texts were then reworked together as new narratives with roots in Aldeburgh.

The body of work is also based on extensive previous documentary photography, sketchbook and video work presented elsewhere. New photographs from 2022 – 2023 are also included to provide some context to the ‘found imaginings’.

For more details see WordPress Blog portfolio page:

Portfolio Links On SMUGMUG

Rust Poems
‘Rust Poems: Erasures for the 21st Century’ are a series of erasure poems suggested by found images in a rusty tractor on Aldeburgh beach.

Click to open SMUGMUG Photobook and Image Gallery on
https://www.zemniimages.com/Tales-from-the-Edge/Aldeburgh-Suffolk-Coast/Rust-Poems
A Mermaid’s Tale
‘A Mermaid’s Tale’ is an imaginary narrative about gender violence and mythologies based very loosely on re-reading of local folk tales about mermaids, wild men and sea monsters. Inspired by iPad photographs of found images in wooden boards by the fishing boats along the beach.

Click to open SMUGMUG Photobook and Image Gallery on
https://www.zemniimages.com/Tales-from-the-Edge/Aldeburgh-Suffolk-Coast/A-Mermaids-Tale
Moot Histories
‘Moot Histories: Aldeburgh written in stone’ is a series of semi-factual historical vignettes, based loosely on historical ‘facts’, based on imaginary scenes from iPad photographs of found images in the flint stonework of the Moot Hall, now a museum.’

Click to open SMUGMUG Photobook and Image Gallery on
https://www.zemniimages.com/Tales-from-the-Edge/Aldeburgh-Suffolk-Coast/Moot-Histories
Aldeburgh Edgescapes
‘Aldeburgh Edgescapes’: Photography and photo screen prints of Aldeburgh seascapes, people and urban landscapes showing the continually changing economic, social and environmental context.

Click to open SMUGMUG Photobook and Image Gallery on
https://www.zemniimages.com/Tales-from-the-Edge/Aldeburgh-Suffolk-Coast/Moot-Histories

Edges Shifting: Shingle Street, Suffolk Coast

‘Edges Shifting’ started as a psychogeography project following my first visit in January 2020 on the eve of Brexit. But possibilities of continuing with a location documentary approach were seriously curtailed by the COVID pandemic that started soon after. My partner and I were both self-isolating, both for ourselves and vulnerable people in my partner’s family. The local population in Shingle Street is also quite elderly and vulnerable.

Edges Shifting present a subjective creative exploration of the details as well as ‘bigger picture’ issues that have shaped my own shifting feelings about staying as an outsider in a place quite close to home, but so very different.

For more details see WordPress Blog portfolio page:

Portfolio Links On SMUGMUG

Through the Window Pane
Through the Window Pane: a photobook from the same stay in  the first week of October 2022. This second book documents the ever changing light, weather and views from the window. Contrasting the complete economic and political turmoil in the world beyond the shingle that I watched on the TV screen and reported in the local press.

Click to open SMUGMUG Photobook and Image Gallery on
https://www.zemniimages.com/Tales-from-the-Edge/Shingle-Street-Suffolk-Coast/Through-the-Window-Pane
Cracks in the Edge
Cracks in the Edge: a  photobook from from a week stay in one of the holiday cottages along the shingle in the first week of October 2022. I was unable to walk very far because of an ankle and hip problem. This book takes a journey of imagination inspired by abstracted photographs of edges and reflections on objects inside the cottage.
Click to open SMUGMUG Photobook and Image Gallery on
https://www.zemniimages.com/Tales-from-the-Edge/Shingle-Street-Suffolk-Coast/Cracks-in-the-Edge
Shingle Song
Shingle Song (forthcoming March 2023): a book of poetry written in and about Shingle Street and illustrated by sketches using tools from the beach and abstract gelli-plate monoprints. Based on sketchbooks, photography, video and notes 2020-2022. To be added to and developed during a further visit to Shingle Street March 2023.

Click to open SMUGMUG Photobook and Image Gallery on
https://www.zemniimages.com/Tales-from-the-Edge/Shingle-Street-Suffolk-Coast/Shingle-Song
‘Colours of Shingle’:
Exhibition Gallery
Colours of Shingle: documentary and creative photography from psychogeography photography and video ‘derives’ around Shingle Street 2021-2023.

Click to open SMUGMUG Photobook and Image Gallery on
https://www.zemniimages.com/Tales-from-the-Edge/Shingle-Street-Suffolk-Coast/Colours-of-Shingle

Creative documentary, Visual Narrative and Inspiration

Other relevant pages in process of development and update that underlie the approaches taken in the ‘Tales from the Edge’ location narratives.